![]() That’s why this workflow aims to minimize the time you spend working in your scanning software or in Photoshop, instead doing as much as makes sense in Lightroom and Camera Raw. You can usually work faster by using the tools in Adobe Photoshop Lightroom or Adobe Camera Raw that are designed to process whole shoots in bulk. ![]() Large scanning projects can be slow going because scanning software can be awkward to work with, and it takes a lot of time to hand-correct hundreds of scans individually in Photoshop. ![]() What you’ve learned editing digital camera images in these applications will help you with film scans too.įigure 1: You can quickly convert the film negatives on the left into digital image assets on the right, with the help of Lightroom or Camera Raw. This article assumes that you have some experience using Lightroom 4 or Adobe Camera Raw 7. Their streamlined workflows and ability to edit TIFF and JPEG files can accelerate the process of importing, editing, and organizing incoming scans. Instead of opening hundreds of individual scans in Photoshop, things will go much faster if you use Adobe Photoshop Lightroom or Adobe Camera Raw with Adobe Bridge. Digitizing an archive of film images can be a time-consuming process.
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